电影音乐英语作文(优秀3篇)

首先，电影音乐能够增强电影的情感表达。通过音乐的旋律、节奏和情感色彩，观众能够更加深入地理解电影中的情感和故事。例如，在一部悲伤的电影中，悲伤的音乐可以让观众更加真实地感受到角色的悲痛和无奈，从而增强电影的感染力。同样地，在一部喜剧电影中，欢快的音乐可以让观众更加开心和放松，增强电影的喜剧效果。因此，电影音乐是电影情感表达的重要工具。

其次，电影音乐能够营造电影的氛围。通过选择合适的音乐，电影制片人能够为电影创造出特定的氛围和情感。例如，在一部恐怖电影中，悬念和紧张的音乐可以让观众感到害怕和紧张，增强电影的恐怖效果。同样地，在一部浪漫的电影中，柔和而浪漫的音乐可以让观众感到温馨和浪漫，增强电影的浪漫氛围。因此，电影音乐是电影氛围营造的重要元素。

最后，电影音乐能够成为观众记忆中的经典。有些电影配乐如此出色，以至于观众听到这些音乐就能够立刻想起电影的场景和情节。例如，《泰坦尼克号》中的主题曲《My Heart Will Go On》和《星球大战》系列中的主题曲《星球大战之旋律》，它们都成为了经典的电影音乐，并深深地烙印在观众的记忆中。这些经典的电影音乐不仅是电影的一部分，更是影响观众情感和记忆的一种方式。

总之，电影音乐在电影中起着重要的作用。它能够增强电影的情感表达和氛围营造，成为观众记忆中的经典。因此，电影制片人在选择电影音乐时需要慎重考虑，确保音乐能够更好地为电影服务，提升电影的质量和观赏价值。

电影音乐英语作文篇二: 电影音乐的艺术价值

电影音乐作为一种独特的艺术形式，具有其独特的艺术价值。电影音乐不仅能够增强电影的情感表达和氛围营造，还能够独立存在并成为一种独立的艺术形式。

首先，电影音乐能够增强电影的情感表达。通过音乐的旋律、节奏和情感色彩，电影音乐能够更加深入地表达电影中的情感和故事。电影音乐能够通过音乐的语言传达出电影中无法用文字和图像表达的情感和情绪。当观众听到电影音乐时，他们能够更加真实地感受到电影中的情感，从而增强电影的感染力和观赏价值。

其次，电影音乐能够营造电影的氛围。通过选择合适的音乐，电影制片人能够为电影创造出特定的氛围和情感。电影音乐能够通过音乐的节奏、音调和音色来表达电影的气氛和情感。当观众听到电影音乐时，他们能够更加深入地感受到电影中的氛围和情感，增强电影的观赏体验和艺术价值。

最后，电影音乐能够独立存在并成为一种独立的艺术形式。有些电影音乐如此出色，以至于观众可以独立地欣赏这些音乐，而不需要依赖于电影的场景和情节。这些优秀的电影音乐有着独特的音乐风格和表现形式，能够独立地传达出情感和情绪。因此，电影音乐不仅仅是电影的一部分，更是一种独立的艺术形式，具有独立的艺术价值。

总之，电影音乐具有其独特的艺术价值。它能够增强电影的情感表达和氛围营造，成为一种独立的艺术形式。因此，我们应该更加重视电影音乐的创作和发展，为观众带来更加优秀的电影音乐作品，提升电影的艺术价值和观赏体验。

电影音乐英语作文篇三

电影音乐英语作文

　　Accustomed though we are to speaking of the films made before 1927 as "silent"， the film has never been， in the full sense of the word， silent. From the very beginning， music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896， they were accompanied by piano improvisations on popular tunes.

　　At first， the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time， however， the incongruity of playing lively music to a solemn film became apparent， and film pianists began to take some care in matching their pieces to the mood of the film.As movie theaters grew in number and importance， a violinist， and perhaps a cellist， would be added to the pianist in certain cases， and in the larger movie theaters small orchestras were formed.

　　For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra， and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before they were to be shown(if indeed， the conductor was lucky enough to see them then)， the musical arrangement was normally improvised in the greatest hurry.

　　To help meet this difficulty， film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909， for example， the Edison Company began issuing with their films such indications of mood as " pleasant"， "sad"， "lively". The suggestions became more explicit， and

so emerged the musical cue sheet containing indications of mood， the titles of suitable pieces of music， and precise directions to show where one piece led into the next.Certain films had music especially composed for them.

　　The most famous of these early special scores was that composed and arranged for D.W Griffith＇s film Birth of a Nation， which was released in 1915.